DAVID FENTON

DAVID FENTON

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Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator
Founder of Fenton Communications: The Social Change Agency
JStreet · Climate Nexus · The Death Penalty Information Center

It sounds like a cliche, but it really is true that history moves in pendulums and waves. And whatever is happening today is not going to last. It will change. So you have periods of concentrations of wealth and power, and then you have periods of rebellion. And I'm quite sure we're headed for another period of rebellion. You can see it a little bit now in the labor strife in the United States and the strikes. You can certainly see it in the massive demonstrations in France and Israel. Excessive concentrations of power breeds rebellion, and that's just inevitable. And the climate crisis is going to cause a lot of rebellion as people figure this out. And I think it's coming very soon, actually, because as you've noticed, the weather is getting very bad. It's become a non-linear accelerating phenomenon. And people will wake up to that. I just hope they wake up in time.

JASON deCAIRES TAYLOR

JASON deCAIRES TAYLOR

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Sculptor · Environmentalist · Creator of Underwater Museums

The sculptures get claimed and almost owned by the sea. And the textures that form the patterns, all things that could never be reproduced by human hands. And it's entirely unpredictable in many cases. I go to some of the "museums" expect to see this type of colonization or this type of growth, and it's nothing like how I've seen it envisaged it. It's completely different. Other times something has been made at its home, and there's an octopus that's built a house around it, or there's a school of fish that have nestled within the formations. There have been many, many different surprises along the way. I first started in the West Indies on an island called Grenada, which has a tropical reef system. And I expected the works to be sort of colonized. And I knew hard corals took a very long time to get established, to build their calcium skeletons, but actually, they were colonized within days. We saw white little calcareous worms, pink coraline algae, and green algae literally appeared sort of overnight.

ANDRI SNÆR MAGNASON

ANDRI SNÆR MAGNASON

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Icelandic Writer & Documentary Filmmaker
On Time and Water · The Casket of Time · LoveStar · Not Ok · The Story of the Blue Planet

A letter to the future
Ok is the first Icelandic glacier to lose its status as a glacier.
In the next 200 years all our glaciers are expected to follow the same path.
This monument is to acknowledge that we know what is happening and what needs to be done.
Only you know if we did it.

If you look at the Himalayas, the frozen glaciers are feeding 1 billion people with milky white water. The real tragedy is if the Himalayan glaciers go the same way as Iceland. In many places in the world, glaciers are very important for agriculture and the basic water supply of people.

Poetics, Poesis & Un-making the Climate Crisis

Poetics, Poesis & Un-making the Climate Crisis

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with TAO LEIGH GOFFE · Author of Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis

We manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after’? We must reassess what a problem is.  Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.

PATRICK HEALY

PATRICK HEALY

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Writer · Philosopher · Independent Scholar

You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen.

You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.

PAY ATTENTION

PAY ATTENTION

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A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance

The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.

ALEXI HAWLEY

ALEXI HAWLEY

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Showrunner · Writer · Creator
The Rookie · The Recruit

There used to be a time when leading men were okay with falling down as a character. Harrison Ford in Indiana Jones is a prime example of that. Even going back to the fifties, they understood that failure and falling down, but getting back up, is an endearing quality. It's a universal human quality. We have gotten to a point in the last 10 or 15 years, or maybe longer, where leading men often want to win every fight. It’s in their contract: "I have to win every fight" or "I can't fail" or "I can't fall down." It's just such a mistake because the audience roots for you more if they see you fail and then get back up again. Noah is totally comfortable playing that character who's just trying to figure it out on the fly. Sometimes, he gets it wrong, but he's never going to give up. You can really feel that coming off the screen.

CHARLIE HERTZOG YOUNG

CHARLIE HERTZOG YOUNG

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Award-winning Climate Activist
Author of Spinning Out: Climate Change, Mental Health and Fighting for a Better Future

There's that old saying, “blessed are the cracked for they shall let in the light.” For a lot of people like myself, I think it's true that losing your mind can be a proportionate response to the climate crisis. Those of us with mental health issues are often branded as being in our own world. But paradoxically, being in our own world can actually be a result of being more connected to the outside world rather than less. And in the context of climate change, it may be fairer to describe people who fail to develop psychological symptoms as being in their own separate anthropocentric world, inattentive to the experiences of the billions of other human and nonhuman beings on the planet, unaffected by looming existential catastrophe…

How Art Helps Us Understand the World

How Art Helps Us Understand the World

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Filmmakers, Writers & Artists Share their Stories

How do the arts help us understand the world? How do our personal lives influence the art we make? Benoît Delhomme, John Patrick Shanley, Jim Shepard, Anthony White, Laura Eason, Mark Gottlieb & Michael Begler explore their creative process.

CHRIS BLACKWELL

CHRIS BLACKWELL

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Founder of Island Records, which launched the careers of Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Amy Winehouse…
Author of The Islander: My Life in Music and Beyond
Winner of the Polar Music Prize · A&R Icon Award

I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics. When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,’ then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic.

ADA LIMÓN

ADA LIMÓN

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24th U.S. Poet Laureate · National Book Critics Circle Award-winning Poet

This poem was written when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

DON McKELLAR

DON McKELLAR

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Co-writer · Executive Producer · Co-showrunner of HBO’s The Sympathizer
with Hoa Xuande · Robert Downey Jr.

I think it's central to the message of the show and of the book. This idea that there's another side to every question. That's the central quandary. There's this problem with the whole Vietnam War. It's saying, to Americans at least, put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate.

CHAYSE IRVIN

CHAYSE IRVIN

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Award-winning Cinematographer
Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee’s BlacKkKlansman

That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, "Oh, this is the challenge." I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.

BENOIT DELHOMME

BENOIT DELHOMME

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Award-winning Cinematographer of At Eternity’s Gate starring Willem Dafoe
The Theory of Everything starring Eddie Redmayne · The Scent of Green Papaya · Minamata
Artist Painter · Director

If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal. I certainly like a handheld camera, It's a bit like playing a saxophone. It's like the pace of walking or how I stop or I decide to go closer to the actor or to take more distance is so free. No one is telling me to go one step forward or one step back. I have to decide on the spot. So there certainly a freedom like a painter with a brush. It's nice because you have even the vibrations, your rhythms, the actor's rhythms. It's this dance.

DAN FUTTERMAN & ADAM RAPP

DAN FUTTERMAN & ADAM RAPP

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Award-winning Screenwriters · Exec. Producers · Directors
American Rust · The Looming Tower
Capote · The Outsiders musical

We're all culpable in some way of being both good and bad, being virtuous and also questionable at times in our own lives. And I think when you start answering questions on either side of that too firmly, I think it allows the audience to disconnect from it. And then you just have this sort of a good and bad guy narrative that is oversimplified all too often in our culture. I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance.

MODERN LOVE

MODERN LOVE

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Writer, Director SOPHIE BROOKS on her new film OH, HI!

In reality, we're all complex people with feelings and our own sets of baggage. I do think we are very good at self-sabotage, all of us. It's a very easy road to go down. It's safe because it's comfortable, and we know it. When you can find the ways you self-sabotage and try to stop that, it will hopefully lead to a happier life and things that are meaningful. When I was in my late twenties, I got out of a serious relationship and kind of reentered the dating scene. I was shocked by the simplification of a lot of complicated feelings around dating and how women are so easily labeled crazy, and men are so easily labeled assholes.

How Does Art Shape Our Lives?

How Does Art Shape Our Lives?

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Musicians, Writers, Filmmakers & Actors Share Their Stories

How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life’s big questions? Max Richter, Etgar Keret, Athony Joseph, Claudia Forestieri, Brigitte Muñoz-Liebowitz Johnjoe McFadden, Sheehan Karunatilaka, Catherine Curtin, Kate Mueth explore the importance of creativity and the arts.

Can We Redefine Our Relationship with Nature?

Can We Redefine Our Relationship with Nature?

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Scientists, Writers & Activists Share Solutions

What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?