Highlights - Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Artist, Musician, Poet

Highlights - Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Artist, Musician, Poet

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Artist, Musician, Poet
Author of Jean-Michel Basquiat: Crossroads

Jean-Michel Basquiat's combination of words and images, this visual poetry, just from a cultural standpoint has been so important. When I met him in 1983, black people were not allowed in the art market, pretty much. And you see that he broke down this barrier, which opened the door for all this multiculturalism within the art market. And you can't diminish the importance of that at all. It's helped to give a voice and an audience to all these incredible artists that might not have had that.

Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Artist, Musician, Poet

Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Artist, Musician, Poet

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Artist, Musician, Poet
Author of Jean-Michel Basquiat: Crossroads

Jean-Michel Basquiat's combination of words and images, this visual poetry, just from a cultural standpoint has been so important. When I met him in 1983, black people were not allowed in the art market, pretty much. And you see that he broke down this barrier, which opened the door for all this multiculturalism within the art market. And you can't diminish the importance of that at all. It's helped to give a voice and an audience to all these incredible artists that might not have had that.

Highlights - Richard Thompson Ford - Author of “Dress Codes”, “Rights Gone Wrong”, “The Race Card”

Highlights - Richard Thompson Ford - Author of “Dress Codes”, “Rights Gone Wrong”, “The Race Card”

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Stanford Professor of Law · Expert on Civil Rights & Antidiscrimination Law
Author of Dress Codes · Rights Gone Wrong · The Race Card

One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve.

Richard Thompson Ford - Author of “Dress Codes” - Stanford Prof. of Law - Expert on Civil Rights - Antidiscrimination Law

Richard Thompson Ford - Author of “Dress Codes” - Stanford Prof. of Law - Expert on Civil Rights - Antidiscrimination Law

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Stanford Professor of Law · Expert on Civil Rights & Antidiscrimination Law
Author of Dress Codes · Rights Gone Wrong · The Race Card

One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve.

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

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Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

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Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.


(Highlights) Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”


(Highlights) Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”

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NYTimes Best-selling Author of the books Take My Hand · Balm, & Wench
Chair of the Board of the PEN/Faulkner Foundation

My dad graduated from Tuskegee, and he often told me about the Tuskegee Syphilis Experiment. He really wanted me to understand the history, not only of medical experimentation but more specifically, medical experimentation in the state of Alabama. So my feeling about medical experimentation is that there's a long history in this country of medical experimentation on black bodies, particularly based behind this racist notion that black people don't feel pain in the same way. And so I've always sort of known that, but once I started to research this book, I began to really understand more specifically what it has meant for black women.

Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”

Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”

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NYTimes Best-selling Author of the books Take My Hand · Balm, & Wench
Chair of the Board of the PEN/Faulkner Foundation

My dad graduated from Tuskegee, and he often told me about the Tuskegee Syphilis Experiment. He really wanted me to understand the history, not only of medical experimentation but more specifically, medical experimentation in the state of Alabama. So my feeling about medical experimentation is that there's a long history in this country of medical experimentation on black bodies, particularly based behind this racist notion that black people don't feel pain in the same way. And so I've always sort of known that, but once I started to research this book, I began to really understand more specifically what it has meant for black women.

(Highlights) Ami Vitale · Award-winning Photographer, Filmmaker & Exec. Director of Vital Impacts

(Highlights) Ami Vitale · Award-winning Photographer, Filmmaker & Exec. Director of Vital Impacts

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Award-Winning Photographer & Filmmaker
Executive Director of Vital Impacts

When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet.

Ami Vitale · Award-Winning Photographer, Filmmaker & Exec. Director of Vital Impacts

Ami Vitale · Award-Winning Photographer, Filmmaker & Exec. Director of Vital Impacts

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Award-Winning Photographer & Filmmaker
Executive Director of Vital Impacts

When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet.

(Highlights) TREVA B. LINDSEY
TREVA B. LINDSEY
(Highlights) CARMEN MARIA MACHADO
CARMEN MARIA MACHADO
(Highlights) ALICE SCHMIDT
ALICE SCHMIDT
(Highlights) MARYBETH GASMAN

(Highlights) MARYBETH GASMAN

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Author of Doing the Right Thing: How to End Systemic Racism in Faculty Hiring
Executive Director of the Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice & Rutgers Center for Minority Serving Institutions

We all have things to learn when it comes to these diversity-related issues or issues of identity. We have so much to learn. Just because, let's say, you’re a person of color, it doesn't necessarily mean that you are going to be accepting of transgender individuals. You might have some real hangups. Or you could be transgender and have some hangups around people of color, all around the spectrum. You can be a woman who doesn't support women. You can be a woman who doesn't support women trans-women. There are all of these kinds of things that I think we have to be open to, and we have to be open to learning and also open to making mistakes because sometimes people are going to make mistakes around these issues.

MARYBETH GASMAN

MARYBETH GASMAN

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Author of Doing the Right Thing: How to End Systemic Racism in Faculty Hiring
Executive Director of the Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice & Rutgers Center for Minority Serving Institutions

We all have things to learn when it comes to these diversity-related issues or issues of identity. We have so much to learn. Just because, let's say, you’re a person of color, it doesn't necessarily mean that you are going to be accepting of transgender individuals. You might have some real hangups. Or you could be transgender and have some hangups around people of color, all around the spectrum. You can be a woman who doesn't support women. You can be a woman who doesn't support women trans-women. There are all of these kinds of things that I think we have to be open to, and we have to be open to learning and also open to making mistakes because sometimes people are going to make mistakes around these issues.

(Highlights) JON YATES

(Highlights) JON YATES

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Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.

JON YATES

JON YATES

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Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.