MANUELA LUCÁ-DAZIO

MANUELA LUCÁ-DAZIO

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Executive Director of the Pritzker Architecture Prize
Fmr. Executive Director of Venice Biennale (Dept. of Visual Arts & Architecture)

When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.

BRUCE MAU

BRUCE MAU

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Award-winning Designer, Artist & Educator
Co-founder & CEO of Massive Change Network
Author/Co-author of Mau MC24 · The Nexus · S, M, L, XL

I would like them to know just how powerful they are, that they have the power to shape the world. At some point, I realized that the world is produced. The world is designed and produced, and since we designed and produced it, we can redesign it. And you can play a part in designing it. You can play a part in that production. It doesn't have to happen to you. And I think, for too many people, too much power and too much control is concentrated in too few hands. People need to have the power to control and design their own life.

LAURENT LE BON

LAURENT LE BON

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Fmr. President Musée Picasso
President Centre Pompidou

Picasso is a symbol of the creative process.
Always in metamorphosis. Always in transformation. Sometimes when you become wealthy and famous, you stop having the energy of the creative process, but if you see the whole span of his career, you have 50,000 works of art in all mediums. So the main mission of the museum is to display like a kaleidoscope, and we have always a new angle, a new direction.

SUSAN FISHER STERLING

SUSAN FISHER STERLING

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Director · National Museum of Women in the Arts

I came to work at the National Museum of Women in the Arts thirty-two years ago. I really took to the idea that the museum was controversial, that a lot of men said, "Why do you need a women's museum? There are so many other museums. Why do women have to be separated?"