I was going to upload images of my sculpture but I’m not certain if you deal with 3D works of art. I was curious to see your invite on Instagram because I have spoken on a handful or podcasts on the topic of creativity, so I was interested. Cheers.
What stands out most about this project is the appreciation that is being expressed towards artists of all backgrounds and generations. The non discriminatory nature of this project truly allows us to resonate with each other in a non judgmental manner, thus further examining what it truly means to make art and put it out into the world.
The arts are an important format of expression, leading us to thoughtful discussions about social and internal matters. Reflective of the evergoing diversity and culture our experiences reflect a nuanced human experience, coherent of messages and artistic freedom. Subjective in matter the space promotes an abundance of ideas praised uniquely and universally, an amalgamation of existing ideals, prescient to the manner of expression and exploration. An eternal monologue, externally conformed, drawing on the experiences of displacement, heritage, and culture, a voice beyond the uncertainty and chaotic matter.
Once, long ago, I asked a taxi driver to tell me the worst thing about his job. I expected him to complain about the long hours or mechanical problems. Waiting to stop at a red light before answering, he said, ’The worst thing about my job is that I never hear the end of the story. People enter my taxi halfway through their conversation and leave without finishing it.’ I often think about that taxi driver and how the fragments of a story inspired me the most. I want my work to feel open-ended, like a snapshot of a much bigger tale, a springboard for one’s imagination to go on an unexpected ride.
My inspiration behind Tulip Tapestry is how complex and beautiful fallen petals can be, the juxtaposition of the delicate, still vibrant tulip petals in their curled and withered state, with the mould dust adding a layer of complexity, is representative of nature’s cyclical rhythm, offering a deep appreciation for the beauty in decay. How hidden beauty can be found in unexpected places.
I am a writer and a fine art photographer. My heart has been broken by the state of the world, and I started to post my photography on Instagram under the title- “The World is Still Beautiful.” I was doing this mostly for me, to buck myself up, but I noticed that others actually responded strongly to my photos and the phrase. There have been terrible days, when it has been hard to say it- but those days seem to be the ones that people need the reminder most. Mother Nature is a balm. I am not trying to ignore or run away from the reality of what is going on- politically, ecologically, etc- merely realize the need to reboot- to feed ones soul- to gather strength and energy, to go back out and fight against the evil. Without this respite, we would surely burn out. Many of my shows have touched on the theme of the environment. My last show at the Von Lintel gallery was called Water Water Everywhere- from the Rhyme of the Ancient Mariner- and spoke to the fact that Water was on most peoples minds as there was either too much or too little. To illustrate this point, at the end of February, I am having a show in Valencia Spain- Inside will be my Story Series- but outside the whole museum will be wrapped with my work. That outside show was originally going to be Water Water Everywhere- but after the devastating flood there, it felt insensitive- So I changed the wrap (20ft x238 ft and 20 ft x 80 ft) to “Look Up! Look Up!! . The wrap consists of my bird series and Skies, two of which I am sharing here.- Look up is also meant as a form of encouragement, as the people in Valencia Spain try to rebuild after the flook-death and destruction. My work is both representational and Abstract- all at the same time- I did a show called On the Edge- meaning On the edge of abstraction.
The creative process is vital to humanity, as it is the vehicle by which we communicate and connect with one another: something that is more important than ever in our increasingly isolating society. My work mingles textiles and sewing arts techniques with watercolor and ink, embroidery, crochet and knitting, loom-woven grounds, mediums overlapping as if done simultaneously, and exploring the historical tradition of “women’s work.” The process is at once tedious, time-consuming and physically demanding, as well as a symbol of feminine self-worth.
The arts and humanities are essential to the human experience, serving as a bridge between cultures, generations, and ideas. They provide a space for reflection, innovation, and emotional connection, shaping our understanding of history, society, and ourselves. The Creative Process resonates deeply with me because it not only celebrates artistic expression but also fosters interdisciplinary collaboration, which is crucial in deepening our appreciation of art’s transformative power. The interplay of fragility and strength is at the core of my artistic practice. I chose to work with eggshells—an unconventional and delicate medium—because it mirrors the fragility of life itself. Through my art, I seek to reveal the exquisite beauty within vulnerability, transforming ephemeral materials into lasting expressions of resilience and transformation. This philosophy deeply aligns with The Creative Process, as both celebrate the ways in which art challenges perceptions, evokes deep emotional responses, and inspires new ways of seeing the world. By exploring themes of impermanence, renewal, and interconnectedness, I aim to create work that not only captivates but also invites reflection on the delicate balance between strength and fragility in both nature and human experience.
The underworld is not separate,
there lies the map of the quicksands of denial,
and the bedrock of reality.
Crawl, walk,
then run, to the new
life that awaits you.
My dual training and my dual experience as an artist and a psychiatric caregiver very early on allowed me to measure the importance and effects of access to artistic practices in the life course of people suffering from mental disorders. I'm talking about the meeting of people with an artist around an artistic project and not art therapy. This was a large part of my commitments during my career in psychiatry.
Art and culture can answer, of course, many questions of human existence. From preserving memory to uniting people of different views in the space of aesthetics. It serves as a method of cognizing oneself and the other. It unites and creates reasons for discussion. Art is present in every sphere of human life. Perhaps we can also say that art shows and indicates that a human being was present here. In this sense, supporting culture, developing culture, and inspiring people to explore and experience life creatively is a way to preserve humanity and increase its humanness.
Art in any of its manifestations is the form of the human being in which he shows his soul. It shows its legacy, the interior and it is the art and the observation of art that makes you prepetuen ideas, concepts, illusions. The creativity of being is the ultimate expression of what we are capable of doing.
The War Diary Series was conceived as an artistic project during the War Crisis in Ukraine.
The brief writing, which is detailed here, belongs to the events that occurred at that time, in real time.
The Creative Process' mission to celebrate the transformative power of the arts deeply resonates with my practice. As an artist, I strive to explore the boundaries between the real and the imagined, the visible and the hidden, fostering introspection and a connection to shared human experiences.
The creative process is deeply important to me because it is the very essence of humanity—an international language that transcends barriers of culture, age, and circumstance. I witness daily how creativity fosters joy, understanding, and connection in my workshops. Art has an incredible ability to heal, offering solace and expression where words often fail. It’s a process that reminds us of our shared humanity and innate ability to create beauty, even in the face of challenges.
Eden, as an idea, is woven into the fabric of human existence. The idea of home and sanctuary cross cultures. Navigating across seas, through forest, over mountains, along sandy shores to collectively reside as a longing in our hearts. In my Eden, I walk the labyrinth of a unique place, a water world sparkling in nostalgia of her decadent past. Sunlight greets moonlight dancing along the tide, keeping me buoyed.
The arts are important because we express the beauty of being human within it. That capability of creating out of ideas and materials is precious. And I believe that this is what constitutes us, or better, what defines us. Maybe some people do this job in somehow more expressive and outstanding manner. Still, the creative process begins its motion every time that we look at the sky, we pay attention to a human expression, or we care about Nature. It is precisely there when the magic begins.
Artist identify things that are being experienced consciously or unconsciously by their audience, like putting a melody or face to it.
For the painting (Desert Spring 72 x 58 x 1.5" o/c) I've submitted, my inspiration comes from my experience in West Texas, at a place I visit frequently. A place where I used to consider the edge of the desert I now consider a desert.
The arts and the creative process allow us to connect to our human essence, the sacred, the mysteries of life. Art speaks a universal language that bridges and elevates our well-being as individuals and as communities. The Creative Process is a beautiful and important register of creativity from all around the world, featuring people of diverse backgrounds and lived experiences. I am so proud to have been selected to be part of this inspiring and important project. What stands out to me the most about it is not just how well curated it is, but the fact that this has been accomplished within an equitable, welcoming and all-encompassing framework. I would love to see this project expand even further by also becoming a full-length video documentary detailing its history and achievements.
The creative process is important because it allows us time to look, take in, distill; and ingest the visual world. As an artist and art educator, above all, I want to inspire my students to understand what it means to notice and wonder. Whether I am sharing images of the magic of the sunset, or asking my students to notice the subtle bend of a flower’s stem, or the gentle spirals in a seashell, I am constantly taking the time to encourage my students to pause and take notice. Exploration is essential to art making and allows us to express ourselves and our individuality. I also believe that these skills are easily transferable to other aspects of life. By encouraging risk taking and exploration, we gain confidence and learn how to solve problems. Through the creative process we learn how to work through obstacles and find alternative solutions, and we can begin to understand that there is not one way to make art, just as there is not one way to approach a challenge
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
